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The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders both past and present.

Aboriginal and Torres Strait Islander viewers are warned that this website contains images of deceased persons.

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Irina Baronova (handing on the baton)

Handing on the baton

Magazine article by Michael Desmond, 2009

Michael Desmond explores the life of ballerina Irina Baranova through the portrait by Australian artist Jenny Sages.

The Reorientalist, 2013 by Juan Ford

Juan Ford

More about In the flesh artists

Juan Ford received a Master of Art, by research, from RMIT University in 2001. His many commissions include the National Gallery of Victoria’s interactive work You, me and the flock for Melbourne Now 2013/2014 and a project for Hotel de Immigrantes, a project in Manifesta 9, the European Biennale in 2012.

Johnny O'Keefe

Making Portraits

Five Years of National Portrait Gallery Commissions

Previous exhibition, 2004

The considered matching of artist to subject has produced an amazing collection of unique and original works in the permanent collection of the National Portrait Gallery

Portrait of Deborah Vernon Hackett

Portrait of Deborah Vernon Hackett

Portrait of Deborah Vernon Hackett

Portrait of Deborah Vernon Hackett, c. 1905

Florence Ada Fuller

Portrait, oil on canvas

Purchased with funds provided by Marilyn Darling AC 2005

image not online

Fiona McMonagle

Fiona McMonagle, an Irish-born, Melbourne-based artist, grew up in an outer suburb of Melbourne and completed a qualification in visual arts at RMIT before progressing to the Victorian College of the Arts.

1 portrait in the collection

Nothing's as precious as a hole in the ground

Seduce and Destroy

Magazine article by Magda Keaney, 2001

Magda Keaney explores the symbolism in eX de Medici's portrait of Midnight Oil.

Sarah Engledow and Acorn, 2016 by Mark Mohell

Explore The Popular Pet Show

The artists and their furry friends

General content

Curator, Sarah Engledow, introduces the artists and the animals in The Popular Pet Show.

Portrait of Deborah Vernon Hackett

Lady Deborah Vernon Hackett

Lady Deborah Vernon Hackett (1887–1965) was a mining company director and philanthropist.

1 portrait in the collection

Margaret Whitlam

Open Air

Portraits in the Landscape

Previous exhibition, 2008

Open Air is an exhibition of portraits of Australians in environments of particular significance to them.

Helena Rubinstein in a red brocade Balenciaga gown

Philanthropic donations enable otherwise unobtainable acquisition

20 October 2016

Archived media releases 2016

A magnanimous portrait of Helena Rubinstein has been acquired for the National Portrait Gallery’s collection.

Dr Peter Farrell

Giving and getting

Magazine article by Michael Desmond, 2006

The exhibition Portraits for Posterity celebrates gifts to the Gallery, of purchases made with donated funds, and testifies to the generosity and community spirit of Australians.

Marilyn Darling AC

Support Crew

Magazine article by Dr Christopher Chapman, 2011

Portraits of philanthropists in the collection honour their contributions to Australia and acknowledge their support of the National Portrait Gallery.

Elle Macpherson

Australian Visit

Previous exhibition, 2006

The exhibition will include works of art from the NPG Canberra's permanent collection with some inward loans and aims to highlight the achievements of notable Australians.

Kristin Headlam with Basil, 2016 by Mark Mohell

Kristin Headlam

Explore The Popular Pet Show

Basil grew into a speckled beauty – a long-legged leaper and an exceptionally vocal dog, with a great register of sounds, ascending in shock value from a whimper to a growl to a bark to a yelp that’s a violation of the ears.

Ellyse Perry

Ellyse Perry

Ellyse Perry

Ellyse Perry, 2016

Fiona McMonagle

Portrait, watercolour, ink and gouache on paper

Purchased 2017

Anna Meares

Anna Meares, 2018

by Narelle Autio

General content

Commissioned with funds provided by King & Wood Mallesons 2018

© National Portrait Gallery 2024
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Canberra, ACT 2600, Australia
Phone +61 2 6102 7000
ABN: 54 74 277 1196

The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders past and present. We respectfully advise that this site includes works by, images of, names of, voices of and references to deceased people.

This website comprises and contains copyrighted materials and works. Copyright in all materials and/or works comprising or contained within this website remains with the National Portrait Gallery and other copyright owners as specified.

The National Portrait Gallery respects the artistic and intellectual property rights of others. The use of images of works of art reproduced on this website and all other content may be restricted under the Australian Copyright Act 1968 (Cth). Requests for a reproduction of a work of art or other content can be made through a Reproduction request. For further information please contact NPG Copyright.

The National Portrait Gallery is an Australian Government Agency